The Existential Quest: Exploring Walker Percy’s Reimagining of the Literary Journey
Sami Alharbi
ABSTRACT

It has been observed that verb doubling occurs in different languages, although there are some differences in the form of the construction that make it difficult to explain within a theory that views verb doubling as a manifestation of multiple-copy spell-out. In this paper, I present novel evidence concerning Najdi Arabic and discuss the distribution, morphosyntactic properties, and meaning of doubled participles. The construction seems to occur only with participles and to have a future-oriented meaning close to that of contrastive focus. There are regular restrictions on the placement of the copy relative to the object, the use of object clitics, and the definiteness of the object: in the case of post-object copies, the use of a clitic is required when the object is definite, whereas a pre-object copy excludes the use of clitics. Copy adjacency with nominal complements is possible but not obligatory, whereas it is obligatory with clausal complements. Negation shows that the additional copy contributes semantically to the construction independently of the lexical verb, since negation affects only the former. All these properties cast doubt on attempts to explain all aspects of the construction using solely the Copy Theory of Movement. Based on Müller’s analysis of the phonological-copying mechanism, I propose treating the copying morpheme ρ as a lexical item that inherits morphosyntactic and phonological properties from the verb without losing its own semantics. Thus, my account takes into consideration the similarities between the grammatical behavior of the lexical verb and its copy, although the copy’s lexical category and syntactic locality restrictions still need to be investigated. Generally speaking, the case of Najdi Arabic shows that cross-linguistic verb doubling is not merely the spell-out of the same verb twice.
Keywords: Najdi Arabic; verb doubling; predicate doubling; reduplication; Copy Theory of Movement.

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