Caught in the Web of 
					Corruption: The Tribal Experience in Gopinath Mohanty’s 
					‘Paraja’
					
					Dr. Sudesh M. B. Bhowate
					ABSTRACT 
Gopinath Mohanty’s Paraja is a 
			seminal tribal novel centered on the Paraja community of Odisha. 
			Through the narrative of Sukru Jani and his children, the novel 
			portrays the harsh realities and persistent hardships of tribal 
			life. Their vulnerability, driven by illiteracy and 
			subsistence-level living, makes them easy targets for exploitation 
			by corrupt public officials and institutions operating in tribal 
			regions. Rich in ethnographic detail, the novel captures the 
			cultural practices and traditions of Odisha's tribal communities, 
			while also exposing their systematic socio-economic marginalization. 
			At its core, Paraja chronicles Sukru’s struggle not only as an 
			individual but also as a representative figure of the tribal 
			populace whose family is eventually reduced to bonded labor (goti) 
			under a local moneylender, or Sahukar. The novel unravels the role 
			of a deeply flawed and complicit public machinery including the 
			village headman, forest and revenue officers, and court officials in 
			orchestrating Sukru’s downfall. It also highlights the involvement 
			of private actors like the Sahukar, who, with the aid of forged 
			legal documents and the support of corrupt officials, dispossess 
			tribal families of their land and autonomy.
Further, the novel sheds light 
			on the exploitation of tribal women, who are often subjected to 
			patriarchal abuse by figures such as the Sahukar and supervisors of 
			road construction projects. Within this oppressive nexus of public 
			corruption and private greed, there is little hope for recovery or 
			justice for Sukru and his family. Paraja raises critical questions 
			about the systemic entrapment of tribal communities and their 
			exploitation within state and institutional frameworks. Using the 
			lens of the sociological theory of corruption, this research paper 
			seeks to examine the interplay between corrupt public institutions 
			and the victimization of tribal people as portrayed in the novel.
Key words: Tribal, exploitation, Goti (bonded laboour), culture, Sahukar, poverty, oppression, marginality, Justice,
		
 
                                    
	