A Comparative Analysis of
Narrative Techniques in the Works of Namita Gokhale and
Bharati Mukherjee
Dr. Priya Wanjari¹, Asma Bano Mohammad
Rafique²*
ABSTRACT
In the rich landscape of Indian
English fiction, storytelling is not merely a vehicle of meaning but
an art that shapes perception, emotion, and identity. The works of
Namita Gokhale and Bharati Mukherjee exemplify this narrative
artistry through their distinctive approaches to form and voice.
This paper explores the narrative techniques employed in Gokhale’s A
Himalayan Love Story and Mukherjee’s Jasmine, focusing on how each
writer constructs meaning through storytelling. The study examines
key elements including point of view, characterization, narrative
structure, and linguistic style to understand how narrative form
enhances thematic depth. Gokhale’s writing is marked by lyrical
prose, intertextual resonances, and engagement with Indian mythology
and folklore, creating a layered narrative texture. In contrast,
Mukherjee employs first-person narration, fragmented temporality,
and vivid sensory detail to capture psychological and cultural
dislocation. By integrating narrative theory with close textual
analysis, this study highlights how both authors transform
storytelling into a medium of emotional resonance and intellectual
inquiry. Ultimately, the paper underscores their significant
contribution to Indian English literature through innovative and
compelling narrative techniques.
Keywords: Narrative Techniques, narratology, perspective,
focalization, characterization, narrative structure, diaspora.
